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REviews

'Must-see... cheerfully ingenious... amusing, unnerving.' - The Guardian, Peter Bradshaw


⭐⭐⭐⭐⭐️ "Atmospheric, impressively constructed and frequently fascinating" - Screencritix


⭐⭐⭐⭐ "Original, captivating and a strong debut feature" - Film Carnage


⭐⭐⭐⭐ "Delightful rarity...an unsettling study of patriarchy" - Whitlock & Pope


⭐⭐⭐⭐ "Snapshot, an ingenious new take on the subgenre." - The Skinny


⭐⭐⭐⭐ "Enough chills to carry its twisting story through" - The Edinburgh Reporter


⭐⭐⭐⭐ "Uncanny, whilst successfully turning a well-known true crime story into one that evolves around women as they grieve the loss of their friends and fight for survival" 

- UK Film Review


'A Nifty Debut Refashions the Jack the Ripper Story as Found-Footage Horror' - Variety, Guy Lodge


Logo of Variety magazine.
The Guardian logo on a black background.
Logo of The Edinburgh Reporter.

"[Silicon gothic] give the found footage horror subgenre a shot in the arm with the eerie Snapshot"


The Skinny (Jamie Dunn)

interviews

Sight and Sound logo in white.
Logo of The Edinburgh Reporter.

"Archer and Wippell keep the story lean and the overt scares sparse, instead cultivating a more subtly pervading mood of disquiet and dread that aims to honour the everyday experience of women in this particular milieu."


Variety (Guy Lodge, Chief Film Critic)

news + announcements

"It promises bigger, even more ambitious things from Archer, Wippell and their production outfit Silicon Gothic, and stakes out a commitment to horror filmmaking that doesn’t merely chase Hollywood trends, instead using both the resources and the cultural baggage on their doorstep."


Variety (Guy Lodge, Chief Film Critic)

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